In our world of dying ecosystems and filter-less information, Firoza’s production left me with a shot of optimism for humanity’s ability to heal. The dark stage was set with a young dervish resting in an illuminated circle on the ground plane. There was an identical projected circle off the back wall. The music, combined with the moving images of skies, trees and water on these circles soon made me forget about the physicality of the stage set.
